Posting Possibilities

There’s something so utterly right about alliteration. For me, anyway.

Ahem.

Calls for submissions! They go up on Saturdays and Sundays here on the blog, and it’s usually only one or two per day.

September seems to be the time of year when people are really getting going with making zines. A bunch of new calls for submissions have come in, and I’m loving it. It is leaving me wondering, though…

How many posts per day is too many?

I want to feature all calls regularly, but I’m aware that some people are subscribed here via email. The more calls that go up on a given day, the more emails that email subscribers have to deal with.

Granted, this is only a potential ‘problem’ for a while. Many calls end at the end of this month, and others end at the end of October. I’m thinking that having a big weekend this weekend for calls for subs will be okay, and then I’ll try to spread them out as evenly as possible while still getting everyone posted regularly.

Still, I’m wondering if I should cap it at three per day. Four? Six? I’m not sure.

Thoughts? Preferences?

Done, Doing, Dreaming

Rain

Done

*My interview with Zine Nation is up right here! Just in case you missed it.
*The Zine Review Index is now up to date.
*The Calls for Submissions category has and will have a lot of new calls coming out, so be sure to check it out. Calls go up on Saturdays and Sundays (Oz time).
*I am so done with winter. Is it possible for me to just say that, and spring will magically begin in Australia? That would be lovely.

Doing

*Dear Anonymous 5, DCMC 5, and DAFUQ aren’t listed on Etsy yet, but they will be soon.
*I’m still working on a post series all about the basics of becoming a zinemaker. If you have any questions, let me know!
*Don’t forget the Zine Videos page. I am adding to it whenever I find new zine videos, so be sure to call out if you find any.
*If you hadn’t already heard, We Make Zines – the place for all things zine – is closing down at the end of this month due to a dramatic rise in cost. I’m not able to do much, but if you know about coding and site migration, be sure to stop by this thread and let Quasifesto know that you’re willing to help out.

Dreaming

*I’m still dreaming of the same things. At this point, I feel mostly stuck, but I do have my handy dandy notebook for things that I want to make into reality.
*I have my little can for coins and notes in the effort to save up for my badge machine. I’m getting nervous that it’s not a good investment… but sometimes one must leap, yes?
*I’m also dreaming of the possibilities of videos, podcasts, so on and so forth. If you have a preference for a specific kind of media (YouTube, Vimeo, podcasting on the wide variety of sites, Snapchatting, something) feel free to start up a chat about it. Tell me who/where your favourites are.
*I’ve started dreaming about typewriters, but I’m not sure if the reality will be as awesome as the dream due to upkeep…

Call for Submissions: Crown, Leg, Tooth

crown-leg-tooth

I’m always looking for poetry about staplers for our zine Crown, Leg, Tooth.

Folks can reach me at denveravepress@gmail.com or

Denver Avenue Press
1319 se MLK Blvd
Suite 214
Portland, OR 97214

Anybody whose poem we use will get twenty copies of C,L,T as a thank you.

Call for Submissions: Zine of the Hill

Zine of the Hill Extended

CALL FOR SUBMISSIONS: ZINE OF THE HILL (better title tbd)

Did anyone else cry when Netflix took down King of the Hill?

Looking for fan art/fiction, conspiracy theories, love poems, short essays, memes, and good memories about one of the greatest shows of all time, King of the Hill. The show went off the air six years ago after thirteen seasons, and is gone (from Netflix) but not forgotten.

Hit me up @ queeranxietybabiezdistro@gmail if you have any questions! Please share with your networks or anyone you think may be interested ^_^

Zine Review: Meta Zine

meta-zine

Meta Zine: It’s a Zine About Zines
Davida Gypsy Breier
http://www.leekinginc.com/

A zine about zines? Yes, please! What we have here, my friends, is everything I want in a zine about zines that is so good, I can’t help but want more.

In Meta Zine, Davida has created a zine guide that introduces you to (or further informs you about) the world of zines. When I say world, I mean world. While it’s light in weight, this zine is anything but light in content.

Part I is an introduction to the world, culture, and history of zines. Davida mixes the evolution of zines with personal experiences and philosophy. (But at no point does this feel like a perzine.) Davida examines what, if any, definition ‘zine’ actually has and the desire of some to create that label. This moves further into the current zinemaker and inspired yesterday’s post regarding thoughts about the legitimacy/policing of digital zines. There is no preaching or personal politics in this, though. It’s an exploration of the history and associated thoughts – thoughts I’ve also had as a zine reviewer.

Part II takes you into the hands-on world of actually making a zine. From supplies and margins (don’t ignore margins!) to printing and selling, Meta Zine gives you all the basics to get you started if you are otherwise hesitant. There are even more sections, including a number of zine resources for finding, selling, and trading.

Meta Zine is only 23 pages long (half fold, looks to be a 10pt font if I’d guess) but still somehow manages to pack it with so much information. It’s fantastic. This is the kind of zine I would make if I had Davida’s level of knowledge. If I had the money, I’d happily buy dozens of copies of this and send them to everyone who expressed an interest in the zine world.

If you want to know about zine history, how to make zines, some of the philosophy behind zines, anything else related that I haven’t mentioned, then get this zine. It is an utterly fantastic place to start.

The Thing About E-Zines

digital-zines

I’ve been reading Meta Zine by Davida Gypsy Breier (review to come later this week), and Davida touches on the subject of the changing face of what zines are. For instance, in the 90s, having a zine with an ISBN was to go against that which was zine culture. Zines spat in the face of print matter with ISBNs and told them they should be ashamed of themselves. (Not even close to quoting Davida’s words, by the way. Davida has a more mature writing style than yours truly.)

In more recent times, some zines have grown an expanded to a point of needing ISBNs. Where zines were the answer to an inclusive mainstream publishing machines back then, the ease of self-publishing these days means ISBN’d productions can still be the answer to traditional publishing now.

So where do e-zines fit in all this?

Davida mentions our mutual desire of reading more international zines but postage making it difficult to do so. It seems only natural that PDF versions of zines rise up in answer to this call, and yet… PDF zines, online zines, etc seem to be to the modern zinemaker what ISBN’d creations were to the 90s zinemaker. I have seen smug disgust thrown at them amongst comments of how e-zines are ruining zine culture.

But are they?

I would say no, but I’ve struggled with the question. In this zine, Davida brings up the facet of intent when it comes to the creation of a zine as well as the parallels between zinemakers now and those 20 and more years ago.

The zinemaker now may have something to say but not the means to say it in modern media. Sound familiar? The zinemaker now can’t afford to make [an ISBN’d creation accepted by mainstream publishers/physical copies of the zine], so the zine maker uses the means available – [cut and paste/a computer] – to make the creation and distribute it through [postal mail/email].

Sound familiar?

Davida does a much better job of illustrating the parallels, but when you look at the intent of creation along with the means by which the creations are made, you find things to be… rather interchangeable.

The picture above features the digital section of my Etsy store. After receiving a few comments about shipping, I decided that PDFs were a whole lot better than not being read at all. Some people scoff at others for selling digital media, but I now can’t help but think of how some people must have scoffed at those wanting a dollar or two in exchange for their few pieces of photocopied paper.

I often feel like a hypocrite, as I only review physical zines (for now) but I still sell digital ones. I feel mostly justified, given the stack of physical zines I have yet to review. But there is still that niggling bit that wonders if I don’t also have some of the deep-seated prejudices that have come with stepping into the zine community at this point of its evolution.

I haven’t put up this post to provide answers or even step on a soap box as such. More that I’m thinking a lot about this, and I’d be interested to read your thoughts if you have some to share. Is the digital somehow less than the physical? Is that only applicable in the terms of media – be it books, music, zines? Is it only about words? Is it strange we’re seemingly more okay listening to thousands of songs on our mp3 players rather than carting around tapes or CDs and yet have this resistance to reading thousands of books on our e-readers instead of carting around novels or zines?